Describing Christian novels

A few years ago, during an attack of hubris, I attempted to define Christian novels. It's a difficult thing to do, to say the least. I now believe that a description makes more sense than a definition. It's not much easier.

I'm avoiding two fundamental issues, namely what a novel is, or what Christianity is.

Here's my description. A Christian novel should include three things. First, some sort of important choice between good and evil. There should also be evidence that a character has hope, beyond despair. Such a work should also contain at least one of the following, as a significant part of the plot, or the theme, or as an attribute of an important character: 1) A Christ-figure 2) Belief in important orthodox Christian doctrine, on the part of a narrator or character 3) Practicing prayer to a monotheistic divine being 4) Having a relationship with such a monotheistic divine being in other significant ways, including receiving guidance from him, or being placed in his presence. (For more discussion of these points, see the post indicated in the first sentence.)

This is a broader description than some have proposed. Angela Hunt put forth a simpler one, with three characteristics only, namely that the story should illustrate some aspect of Christian faith, that the writing should avoid obscenity and profanity (she didn't define these) and that it should offer hope. She was writing about what she has called "faith fiction" which is fiction aimed mainly at a female evangelical Christian audience. Hunt has written a lot of that herself. Hunt writes "I'm sure you're waiting for me to say there must be a conversion scene, a moral, a sermon, prayer, the name of Jesus, Christian protagonists, angels, or something else, but that's it." Most faith fiction does involve a conversion, and some of the other aspects that Hunt mentions, which aren't for her, requirements. I think most faith fiction also includes a marriage, or points toward a forthcoming marriage.

I would agree with Hunt on most matters, and I think our descriptions overlap a great deal. I prefer not to read books with lots of profanity or obscenity in them, but I believe it would be possible to write a thoroughly Christian work, meeting my description, which included such language. I think she's right about hope, although it doesn't seem to me that it would have to be realized within the novel. I thank her for mentioning hope as a critical component. I wouldn't have included it if I hadn't read her post.

My own interest is in what I call fantastic literature. I cannot recall reading any award-winning fantasy or science fiction works which had language that turned me off.

Could a non-Christian write a book that meets my description, or Hunt's? I suppose so. Such an author probably wouldn't.

Let me mention three specific cases. The Narnia books, by C. S. Lewis, match the description. Aslan is a Christ-figure, dying for the sin of someone else. Characters have a relationship with Aslan. The children sometimes pray to Aslan. There are moral choices, lots of them. Perhaps the most important Christian doctrine, the Atonement, is portrayed directly, in The Lion, the Witch and the Wardrobe. It is no wonder that the series is sometimes described as being too preachy.

Tolkien's The Lord of the Rings trilogy is not so obvious as the Narnia books. There are moral choices, such as Galadriel's decision not to take the ring from Frodo, Denethor's decision to put his own judgment above Gandalf's, and Saruman's decision to advance himself, rather than trying to defeat Sauron, are bad choices between good and evil. Gandalf dies in Moria, and returns to life, which is part of being a Christ-figure. No one seems to pray. No one seems to have a relationship with the higher deity or deities, and the books don't give a clear picture of monotheism. As to belief in an orthodox Christian doctrine, the only one I can come up with is forgiveness and/or mercy. Sam, Frodo and Bilbo were all merciful toward Gollum. Boromir sought forgiveness for trying to take the ring from Frodo. There is hope, throughout the book.

As much as I like the work of Ursula K. Le Guin's Earthsea books, they aren't Christian. (Le Guin says that she is a Taoist.) There are certainly moral choices, and there is hope. But there is no evident belief in a monotheistic god, no relationship with such, and no prayer. And Ged isn't really a Christ-figure. He doesn't actually die, let alone die for someone else, although he does lose his magical abilities in saving Earthsea. Ged's first archmage, Nemmerle, does die, repairing damage that a younger Ged has done, but he really didn't die for Ged, but for his task, to preserve the equilibrium of Earthsea. And death, itself, is problematic. The dead go into the Dry Land, a realm where they seem to just sort of wander around forever, although a wizard with great power can summon their spirits, apparently temporarily. (See this review, on Le Guin's web site, which says a little about the Dry Land, and about Le Guin's Taoism.) The Dry Land is an alternative to orthodox Christian doctrine. There is no heaven, and no hell, in Earthsea.

Thanks for reading. This made me think, and maybe it will do the same for someone else.

Added June 16, 2012: E. Stephen Burnett, of the Speculative Faith blog, has written a post entitled Define 'Christian Speculative Story.' The Speculative Faith blog is indispensable for persons interested in the intersection of Christianity and fantastic literature. I wish that Burnett, and the other authors, would pay less attention to fiction written and marketed to evangelical Christians, and more to fiction which is marketed to a wider audience, but that's a quibble.