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Showing posts with label Mozart. Show all posts
Showing posts with label Mozart. Show all posts

Wednesday, May 11, 2011

Sunspots 313

Things I have recently spotted that may be of interest to someone else:


Science: Wired reports on the discovery, in the lab, of a new parthenogenetic species of lizard. Unfortunately, the photos at the end confused me.
 
Politics: I have been a Flickr member for several years. (Flickr is a photograph-based social network.) I recently discovered that President Obama has a Flickr account. I doubt if he took all of the over 50,000 photos that are in it by himself . . .  So I checked on some other political people. Tim Pawlenty has an account, with a lot less photos. Michele Bachman, Sarah Palin and Newt Gingrich don't seem to have accounts.

Computing: You've probably seen this all before, but here's an article on how passwords are hacked.

Christianity: An English translation of the Latin text of the Requiem Mass, by Mozart (and others).

Image source (public domain)

Thursday, January 27, 2011

Happy birthday, Mozart!

Happy birthday, Mozart!

Here's a splendid performance of the "Gloria" from Mozart's "Coronation Mass."

Wednesday, January 27, 2010

Happy Birthday, Mozart

The great Wolfgang Amadeus Mozart was born on this date, in 1756.

Happy Birthday!

Tuesday, January 27, 2009

Happy Birthday, Mozart

W. Amadeus Mozart was born on this date in 1756.

Here's a video of a boy's choir singing the Gloria from one of his masses. Glory to God, indeed!

Sunday, January 27, 2008

Happy Birthday, Mozart!

Mozart was born on this date in 1756. His full name was (ready?) Joannes Chrysostomus Wolfgangus Theophilus Mozart.

National Public Radio's Performance Today has put together a list of the top 50 classical CDs. Three of them are by Mozart. You can hear samples of all three here.

The movie, Amadeus, won the Academy Award for Best Picture in 1984. It is a biography of Mozart, and its theme is that, as the title suggests, he was beloved of God, who bestowed such great talent on him. Antonio Salieri can't understand why he didn't get some of that talent,and why Mozart did. The movie doesn't answer Salieri's question.

Thank God for enabling artists of all sorts.

Thanks for reading.

Friday, March 23, 2007

The Language of God, Chapter 2, by Francis Collins

A previous post gives the contents of Chapter 1, and the bibliographic and author information for The Language of God: A Scientist Presents Evidence for Belief.

Chapter Two considers four common arguments against faith in God (and against the validity of religion in general) with rebuttals.

The first argument is that religion is just wish fulfillment. Collins, following C. S. Lewis on this topic, says that, if religion were really wish fulfillment, the god we imagine would be much more indulgent than the God of the Bible. He also says that just because we may wish for a god, that does not prove that there isn't one.

The second argument is that there is a lot of harm done in the name of religion. Collins does not deny that, but points out that there is also a lot of good done in the name of religion, for example the story told in the film "Amazing Grace." He also points out that great evil was done by a supposedly atheist society, the Soviet Union. Finally, he says that it is not reasonable to judge the truth of religion solely by its human adherents. He asks "would you judge Mozart's The Magic Flute on the basis of a poorly rehearsed performance by fifth-graders?" (p. 42)

The third argument is the evil that exists. How could God allow it? Collins has a personal story of great evil done to an innocent person. I'll let readers of the book discover that story for themselves. He follows Lewis (and many others) in pointing out that much evil is the result of God's allowing humans free moral choice, and our choices being bad. He also says: . . . if the most important relationship we are to develop on this earth is a relationship with God, and if our existence as spiritual creatures is not limited to what we can know and observe during our earthly lifetime, then human sufferings take on a wholly new context. We may never fully understand the reasons for these painful experiences, but we can begin to accept the idea that there may be such reasons. (p. 46)

The fourth argument is about miracles. How can a rational person, a scientist, believe in them? Let's put it this way. Collins is a scientist's scientist, and he believes in them. He does say that we use "miracle" much too often, and that we should not assume that everything we can't explain is due to divine intervention, but he sees no reason that a scientist cannot believe in miracles. Nothing in science can disprove them, as they are outside the purview of science.

Collins won't convince a reader who refuses to be convinced, but he makes a good case.

Thanks for reading.

Friday, January 27, 2006

Happy Birthday, Wolfgang Amadeus Mozart!

Mozart's 250th birthday is on Jan 27th. Thanks to the Librarian's Internet Index for pointing that out to me. Also thanks to them for a site on the Mozart effect (increased intelligence from listening to classical music?) (Google is honoring Mozart today with a special adapted logo.)

The film, Amadeus, (adapted from a play of the same name) was loosely based on Mozart's life. It won a number of awards, including the Oscars for best picture, best actor, and best score. The title, Mozart's middle name, which means "beloved of God," gives the theme. Throughout the movie, Antonio Salieri, one of Mozart's contemporaries, asks the question, "Why did God give this youngster so much talent, and not me?" As I recall the film, there really isn't an answer to Salieri's question. I don't have one, either, except that God is sovereign. Each of us have a plan for our life. For a few of us, that includes fame. For most of us, it doesn't. However, like Salieri, and Mozart, each of us is accountable for what we do with what God has given us.

On Jan 26th, KPBS radio broadcast an interview with Eric Bromberger, professional musician and Mozart expert. The interview lasts for several minutes, and includes several excerpts (audio only!) from the movie, including Actor Tom Hulce's laugh, and dialog relating to Mozart's brilliance. Bromberger states that an important part of the plot, namely that Salieri killed Mozart, is a fabrication, but a long-standing one. One bit of dialog, that wherein the Emperor tells Mozart that one of his compositions has "too many notes," and Mozart, carefully, asks which notes His Majesty would like removed, was not included.

A number of quotations from the script of Amadeus are here.

Thanks for reading. Listen to some Mozart. He had God-given talent.